I'm happy to announce the upcoming release of Mamiffer’s new full length “The Brilliant Tabernacle” - coming Nov 1st from SIGE Records. Here is “River of Light”, the first preview track from the album. Thank you! Pre-order from:
Daymare Recordings is releasing the CD version of "The Brilliant Tabernacle". from Daymare Recordings: "new release: MAMIFFER "The Brilliant Tabernacle" including bonus disc, due out on November 6th サウンド構築の美しさは言わずもがな、Faith Colocciaのシンガーとしての成長が驚異。Randall Dunnのプロデュース手腕が魔術。最高傑作! 日本盤のみボーナス・ディスク付2枚組仕様。 more soon..."
Mára "Here Behold Your Own" Side A: A New Young Birth Side B: Sangre de Cristo Available for pre-order HERE. Available at SIGE HERE. Preview a track HERE. Mára is the solo project of Faith Coloccia, the hermetic composer, songwriter, and vocalist who has a central figure in numerous projects including Mamiffer and her ongoing collaborations with Alex Barnett. Her arrangements for piano, organ, electronics, guitar, and voice often take the form of deconstructed plainsongs, as elegant variations of a melody that smolder and dissolve into heavy-lidded assemblages of shadow, fog, and echo. As Mára, she continues with her signature aesthetics, while laying bare the emotional core of her being.
Here Behold Your Own follows the very limited Surfacing cassette from 2015. The album began to take shape shortly upon the conception of her son and evolved to encompass her becoming a mother in conjunction with the re-engineering of her creative processes. Coloccia reflects upon the album’s origins, stating “ A lot of the material that I used to make this record felt like the last glimpses of ‘me’ before I became another me. Almost as soon as I conceived I felt the old me slipping away, and so these recordings and photographs were like the last time spent with myself before I changed.”
Mára’s melodies draw from the lullabies that Coloccia would sing to her son. Dating back many years, she has employed the...more
releases September 13, 2019
Side A: A New Young Birth
Side B: Sangre de Cristo
Recorded and mixed by Faith Coloccia 2018 on Vashon Island WA
Using cassette recordings from 2015-2018
Mastered by Randall Dunn
You can get the record in the US HERE And from Gizeh Records HERE You can purchase some of the original paintings from the release HERE
(flood print image not used in the final vinyl version)
From Gizeh records:
See Through is a new collaboration between Aidan Baker (Nadja), Faith Coloccia (Mamiffer, Mara, Sige Records) and renowned percussionist Jon Mueller.
The project was brought to life through Baker exploring textural rhythms created by sampling small, sharp and abrupt sounds on the electric guitar and then sequencing them in a drum machine to form the bedrock of the tracks. Mueller then added his particular, signature brand of intricate, hypnotic percussion to the mix and the compositions began to grow and take shape. The pair agreed that the pieces needed a more human touch and Coloccia was invited onboard, contributing processed vocals via looping, tape manipulation and microphone feedback.
The result is an other-worldly record that seamlessly flows from beginning to end, immersing the listener in waves of ambient movements and soporific beats. There is a trance-inducing aspect to this work, deserving to be consumed in one sitting and allowed to manifest itself for the duration. The trio have crafted a piece of work that stands up to the quality and integrity of their combined back catalogues and indeed adds something completely new for fans to discover and devour.
PERSONNEL: Aidan Baker - Guitar and Fx Faith Coloccia - Vocals and FX Jon Mueller - Drums and Percussion
Mixed by Randall Dunn at Figure 8 Studios in NY. Artwork and design by Faith Coloccia
"Splices space-rock twinkle to a clanging beat with the comforting (ir)regularity of a distant freight train" The Wire
Here is the full artwork I made for the Barnett+Coloccia record out now on SIGE records: (The drawings were made by Alex Barnett paintings by Faith Coloccia) You can get the record HERE and the digital version HERE
"Alex Barnett (Champagne Mirrors, Oakeater, SCRAPES Recordings) and Faith Coloccia (Mamiffer, Mára) developed a friendship based on a fascination with the world just outside the limit of our understanding—the world where magic and mystery hold equal footing with science. On their third collaborative album VLF, the duo draft a soundtrack to the mapping of the unknown realms in both their private lives and the communal world around them. It’s a premise embedded in the album title, an acronym for Very Low Frequencies which help capture the oscillations of dark matter, as well as a misspelled nod to the VLA radar banks in New Mexico which serve to chart out the cosmos. This fixation on scientific pragmatism finds a creative parallel in the duo’s left-brain explorations of early electronic music, although the bigger influence in Barnett & Coloccia comes from the gaps in our understanding, where instinct drives our behavior and unseen forces impose their will on our surroundings, where certain frequencies inexplicably yield an emotional resonance and, conversely, subconscious impulse finds an analog in sonic patterns. These right-brain tendencies may conjure the minimalist mantras of 20th century classical music at one turn and the expressionist disorder of textural sound design at the next.
“We are both interested in getting ideas and thoughts, however intangible, into notations, or 'thought maps’,” Coloccia says of their process. “Like tarot cards there's geomancy, tea leaves, Italian oil water reading, I-ching Yarrow sticks—all supposedly based on chaos or chance and the energy of the mind shaping events of fallen twigs or sand, and then the interpretation of the reader. For us, we were really interested in tapes or sounds ‘coming to us’ and then interpreting them into different sounds for an audience.” The biggest treasure trove of found sounds for VLF came from a box of cassettes of old religious services for a regional cult. Gifted to the duo by a friend who had been raised in the faith, these documents of rituals, sermons, and glossolalia exercises tied into their fascination with divinations. Recorded over three days at a converted church called The Unknown in Anacortes, WA by Nicholas Wilbur with production assistance by Randall Dunn (Sunn O))), Johann Johansson), the songs on VLF began not with conventional song fragments or arrangement ideas, but with casual conversations regarding the curiosities of the natural world and the human psyche.
On songs like album opener “Fountain of Youth”, the shared fixations are less rooted in tangible phenomena and more tied to the abstract mania of individuals, with the duo summoning humanity's ever-accelerating attempts at escaping “the inevitable wear and proof of time” out of the track’s breathy vocals, scratching percussion, and clock-tower electric piano. The conceptual impetus is more evident on songs like “Confession”, which Barnett traces back to a conversation about the entanglement theory of synchronized heartbeats occurring between therapists and patients. With snippets of a found recording of a therapy session spliced between surges of static and steady bass pulses, the song may seem like it contains the most direct connection between sound sources and inspiration, until Coloccia mentions how entanglement occurs between mother and infant, how this enmeshment must eventually yield to individuation, and how her pregnancy during the VLF creative process was a constant guiding component. “The project is a true collaboration in the sense that the songs never end up as one person's vision,” Barnett says. “They end up somewhere new where the whole is a strange extension beyond the sum of the parts.”
Side 1 ends with “Bachelor Grove”, which Barnett named after a haunted cemetery he used to explore with his friends. Guided by Coloccia’s ominous piano arpeggio, the song is a meditation on both the idea of death as the end of time and the idea of weak forces—vestiges of human presence imprinted on our world in scientifically unresolvable ways. With an impending birth looming over the VLF session, the counterpoint of death was an inevitable and inescapable theme for the album. “This was a parallel thought pattern we were having,” Coloccia explains. “Ultrasound uses sound frequencies bouncing off the uterine contents to ‘show’ you the baby. Much like the VLA—it was an attempt to communicate with space. There’s a parallel between outer space—the light we see that’s millions of years old in the form of stars—and the baby within the dark womb, a totally new being that came from nowhere.” The duo is not only interested in giving phenomena an aural manifestation, but perhaps even directing it, as with opener to side 2: “Rain In Bilbao”. "Here Coloccia’s vocals, Barnett’s synth work, and reversed loops use music as a form of sympathetic magic in an attempt to conjure a specific environment and experience."
VLF is ultimately a document of two artists channeling their shared wonderment with unseen worlds into a sensory experience in the form of musical composition. Sige Records is proud to offer up this collaboration on vinyl and digital formats in Spring 2019." - Brian Cook
Faith Coloccia of Mamiffer, Mára, Barnett Coloccia and SIGE records.
1. What are your top five albums that were released in 2018? (Preferably in order 1-5) -"Plain Light" by Eyvind Kang -Alvin Lucier box set -"Sea" by Ryo Murakami -"Self Titled" by Oren Ambarchi, Crys Cole and Leif Elggren -Flying Saucer Attack -"The Book Of Sounds" 2LP by Hans Otte -Éliane Radigue box set -"Love in Shadow" by SUMAC -"Beloved`" by Randall Dunn -"Hull" Daniel Menche -all 2018 releases by SIGE artists: Black Spirituals: "Black Spirituals "Black Access/Black Axes", Nordra "Pylon ll", William Fowler Collins "Field Music" 2. What band did you discover in 2018 (can be a brand new band or an older band) that had an impact on your life? What made them significant? -Betty Davis -Betty Harris -Judas Priest "Sin after Sin" -Miles Davis "Up With It" 3. How will you remember 2018? (In terms of music) Busy! And powerful! 4. What can we look forward to from you in 2019? -Mamiffer full length called The Brilliant Tabernacle (Sept or October 2019) -Mára EP "Here Behold Your Own" (Summer 2019) -Barnett + Coloccia "VLF" Spring 2019 -Mamiffer "Metapatterning For Constellation" Performed by Polish Orchestra LP (2020) -Collab with Jon Mueller and Aidan Baker (Spring 2019) -Summer of 17 (Summer 2019) -a collab with a new friend! -New SIGE releases by Daniel Menche "Melting Gravity" LP, Jon Mueller "Canto" , Nordra "Pylon 3", Aaron Turner and Tashi Dori" Live CS, 5. What records are you looking forward to most in 2019? All the new SIGE releases. And Im looking forward to the Mamiffer record "Thr Brilliant Tabernacle being released, Im so proud of it, I started it in 2013 and finished it during the last 2 years of my baby's naps! It is for him (my baby), and I can't wait for people to hear it!